CHAPBOOK

• And Yet Held — Bull City Press (2024)
• Woeman — Hawai’i Review, No. 88 Book 2 (2018)

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POEMS

• “Chet Baker’s Teeth” — The Greensboro Review (forthcoming)
• “North Star” — Postcard Lit (forthcoming)
• “Love Poem as Nestea Plunge Commercial” — The Cortland Review (forthcoming)
• “Self-Portrait With & Against” — ART SICK by The Poetry Lab (Issue 1)
• “at swim” and “Leap” — Outskirts (Issue 03, Summer 2026)
• “still life of my father cooking breakfast” — Puerto del Sol (Spring 2026)
• Eight Poems (“Brown Girl Dreams of Arson,” “RAGE INCANTATION,” “what could I possibly offer this ruptured world,” “Let my joy make the empire nervous,” “and what shall we do, we who did not die” [I, II, III], and “Brown Girl Theology”) — The Rumpus (May 2026)
• “Chronicle of My Thirty-Eighth Year” — Guernica (April 2026)
• “Last instructions before the time machine disappeared with its traveler” and “Chronicle of My Thirty-Seventh Year” — The Boiler (Winter 2025/Summer 2026)
• “Seat 19, Left Side, Row J” — Sundog Lit (Issue 28)
• “occasionally something great happens just by itself” — TIMBER (Issue 16.1, Winter 2026)
• “What I Mean to Say is This isn’t About Aliens” — Variant Literature (2026)
• “Into the tomb which houses my body which houses my life” and “At Last Obscura” — Poetry Northwest (2026)
• “self-study” — Sixth Finch (Winter 2026)
• “Fish Bones” and “dirty” — Equatorial (Issue Eight)
• “Salt” — West Trade Review (Volume 16, Winter 2025)
• “Ode to the persimmon on the kitchen counter on the eve of your birthday” — Crab Creek Review (Fall/Winter 2025)
• “Self-Portrait as Fittonia” — Small Orange Journal (Winter 2025)
• “Ways a Brown Girl Inhabits Herself,” and “Letter to a Sampaloc Tree” — diode poetry journal (Volume 18, Number 3)
• “We Teach Each Other How to Pray” — Pleiades (Volume 45, Number 1, Spring 2025)
• “Enthralled” — Epiphany (Desire & Dread, Spring/Summer 2025)
• “My Sister Tells Me She Doesn’t Understand Why Anyone Will Love Her” — The Los Angeles Review (June 2025)
• “Self-Portrait as Bougainvillea” — Bellingham Review (Issue 90)
• “Thief,” “Curious about the abyss, we tried to give it our heart,” and “We Teach Each Other How to Stay” — Waxwing (Issue XXXIII, Spring 2025)
• “Chronicle of My Thirty-Sixth Year” and “Pilgrim” — Frozen Sea (Issue Seven, February 2025)
• “my father takes me through the garden” — Room (Volume 47.4, 2024)
• “I will give you the fat from the milkfish’s belly.” and “Crossing the streets of Hà Nội” — Salt Hill Journal (Issue 52)
• “living room spacetime” and “Aubade” — Shō Poetry Journal (No. 6, Winter 2024/25)
• “Bellow” — Rust & Moth (Winter 2024)
• “Gargantuan” — Narrative (2024)
• “Leaving Tsim Sha Tsui” — RHINO (2024)
• “Someday I Want to Have the Courage of Old People Who Ask Strangers Countless Questions” — ANMLY (Issue #38)
• “Alone with Billie Holiday at the End of the World” — Hunger Mountain Review (Issue 29, Winter 2024)
• “Subterranean” — Five South (November 2023)
• “Talisman” — Birdcoat Quarterly (December 2022)
• “Tea for Two Cha Cha” and “Fist” — Crazyhorse (November 2022)
• “The shape of rapture” — Hobart After Dark (September 2022)
• “The Last Time” — Pleiades (Volume 42, Number 1, Spring 2022)
• “Balloon” — Split Lip Magazine (April 2022)
• “Fog Physics” and “Discompopulated” — West Trestle Review (March/April 2022)
• “Monsters” — Cordite Poetry Review (February 2021)
• “The Great Tree” — Cha: An Asian Literary Journal (March 2017)
• “Art Oops” — Rabbit Catastrophe Review (2016)
• “An Ending, A Beginning” and “Kayumanggi” — Hawai’i Review (2016)
• Excerpts from “These Days” — Verses Typhoon Yolanda: A Storm of Filipino Poets (2014)
• “Bautismo” — Latay sa Isipan: Mga Bagong Tulang Filipino (2007)
• “Fireplace” and “Lola Rosa” — Philippine Free Press (2007)
• “Bago Matulog,” “Kung Paano Ko Naaalala ang Pagdadalaga,” and “Pagtanda” — Philippine Graphic (2007)
• “Hayskul” and “Flower Girl” — Dapitan (2007)
• “Maaga akong tinuruan tungkol sa disiplina” — Heights (2006)
• “Sermon” — Heights (2005)

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